Behind Closed Curtains

Summer St Claire stands on a deep sheepskin rug in front of floor-length champagne satin curtains, a billowy white blouse with embroidered cuffs tucked loosely into black wet-look leggings that gleam under the warm light like polished obsidian. Nude pointed heels sink into the wool, a cast-iron radiator hums behind the gold drapes, and Summer's strawberry-blonde waves and wide blue eyes give her a softness that contrasts deliciously with the slick, second-skin sheen of the leggings. Her figure is staggering: a narrow waist cinched by the blouse gives way to dramatic curves above and below, and the set's title promises privacy. Behind Closed Curtains is exactly where Summer belongs.

She bends forward and the white blouse falls open, then she turns her back and draws the satin leggings down, the wet-look fabric peeling from her skin like paint. The side of one spectacular breast swings into view as the leggings gather at her thighs, and the gold curtains behind her ripple in sympathy. In the final frame she stands with her back to the camera, entirely bare save for a wisp of black thong sliding past the high, rounded shelf of her bum, her narrow waist and the heavy teardrop shape of her breasts visible in profile. The satin curtains, the sheepskin, the warm amber light: everything is tactile, luxurious, and designed to be touched. Summer fits this room the way velvet fits a jewel box.